Olivia Lawson’s bosses at Scotland Yard don’t take her work very seriously. Art and antiquities? Bor-ing! But her latest investigation, at London’s world-renowned Tate, is turning out to be far more explosive than anyone expected. In fact, the vandalized, booby-trapped painting hanging on the gallery wall would have blown her off her feet if it wasn’t for the tall, dark-haired stranger who tackled her at the last second—a stranger as finely sculpted as any masterpiece in the museum.
Ethan Maxwell is working this case for the Elite Crimes Unit because it was a choice between that and lockup. A (barely) reformed art forger, he’s got the expertise to lead Olivia through a dangerous manhunt. But the crime may have a more personal connection to him—and the all-too-real feelings he’s developing toward Olivia could pull her into the line of fire too.
The old farmhouse in the French countryside is a refuge for former jewel thief Josephine Deveraux. Admittedly, there aren’t many men in the vicinity, but she has her cat to cuddle up with. It’s a far cry from her former life, constantly running from the law, and she’s enjoying her peace . . . until the intruder in the three-piece suit tackles her. He wants her back in the game, helping with a heist—and he’s not above making threats to get his way.
Little does Josephine know that notorious—and notoriously charming—thief, Xavier Lambert, is after the very same 180-carat prize she’s being blackmailed to steal. To his chagrin, he’s doing it not as a free agent, but as a member of the Elite Crimes Unit—the team he was forced to join when his brilliant career came to a sudden end. And little does Xavier know that his comeback is about to include a stranger’s kiss, a stinging slap, and a hunt for missing treasure—along with the infuriatingly sexy woman who’s outfoxing him.